I've had a 1955 Fender Bassman for a long time, but I rarely use it because the mic I use it with--a Shure PE5 vocal mic from the early 1980s--doesn't drive it hard enough, at a reasonable volume level, to give me the overdrive sound that I need. The Harp... Read More

I've had a 1955 Fender Bassman for a long time, but I rarely use it because the mic I use it with--a Shure PE5 vocal mic from the early 1980s--doesn't drive it hard enough, at a reasonable volume level, to give me the overdrive sound that I need. The Harp Attack has finally solved my problem. It's amazingly user-friendly. After five minutes, I'd figured out the optimal setting on the Drive knob to get just the sound I like, at a volume that won't kill my bandmates. The Volume knob lets me tweak the output level up or own, as needed. Randy Landry is an alchemist; he knows where the useable crunch, scream, and sustain are hiding out. This is a great piece of hardware.

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Adam Gussow

I have a great amp, and great mic, great tone, but I still wanted to beef up my electric tone for playing with bands, so I ordered Randy Landry's Harp Attack. I used it last night as I rehearsed the Jon Gindick Band. Already I can tell the Harp Attack... Read More

I have a great amp, and great mic, great tone, but I still wanted to beef up my electric tone for playing with bands, so I ordered Randy Landry's Harp Attack. I used it last night as I rehearsed the Jon Gindick Band. Already I can tell the Harp Attack is going to make me a much stronger player. It lets me sculpt my tone and helps my tone cut through the mix without being louder. And if I want to play louder, that is easy enough too. This tube preamp is completely pro quality designed by a harp player for harp players. It is smaller than a paperback book. I can use it instead of amp (running it through the PA), and sound solid and strong AND have control with me on the bandstand, not in some soundman's hands. But it also sounds great running my bullet through my Fender Princeton Blackface. I can adjust the three knobs and sound as though I have changed mics, getting tones from mellow to bark. It can be battery operated-- what a powerful tool for jams

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Jon Gindick

The Lone Wolf Delay pedals are really nice organic and warm sounding delay pedals that do not change the tone of your dry sound. I've got the V2 which I like using, especially with smaller amps.

Carlos del Junco

Randy at Lone Wolf Blues Co has done it again! Dialing up your killer harp tone on any size amp just got a whole lot easier with the new Harp Shield pedal, keep the tone, kill the feedback and keep up with your guitar players volume, you are going to love this pedal as much as I do. Thanks again Randy!

Johnny Sansone